I am not a brand-whore. Seriously. So no, I do not use all MAC errrythang in my kit. But, I do absolutely love some of their blushes. I find the pigment is great, they are quite smooth and not chalky, … Continue reading
Enter the Contest HERE! Beauty By Jemz is giving away a fabulous prize full of goodies from MAC Cosmetics! The prize is valued at $113.00 and contains: “Whisper of Gilt” Extra Dimension Skinfinish ($34) from the Limited Edition Holiday 2012 … Continue reading
I do lots, and I mean LOTS of photoshoots for models and commercial clients where the #1 look I end up doing is creating a, NOT NUDE, but a “natural” lip tone. This also goes for a fair number of … Continue reading
All the time, everytime I wear it, everywhere I go… some female always wants it…. my fall 2012 lip colour that is!
So I figured I should post it, since it seems to be a fave with the ladies 😉
FYI, this picture does not do it justice!
It’s 2 parts Maybelline Superstay 14 hour Lipstick in “Wine and Forever #100” and 1 part MAC Dazzleglass in “Get Rich Quick”.
Quick note: No longwear lipstick will last anywhere close to 14 hours if you’ve layered it with a gloss product that was not specifically formulated to work with the particular lipstick. BUT, I love this for the colour, not for the longevity.
The Maybelline Superstay lipsticks have a really smooth and highly pigmented application. The formula doesn’t bleed out or feather on me when applied properly to a nude pencil-lined mouth. It also smells really good (for a lipstick) and doesn’t have a weird taste… bonus! In this shade (Wine & Forever #100) it has a great plummy colour that is closer to the deep purple side rather than the black cherry side. It’s very flattering on warm skin tones and particularly on women of colour.
The MAC Dazzleglass is, like all Dazzleglass products, amazing and light catching and shiny. This shade (Get Rich Quick) is a beautiful raisin colour (plum with hints of red). It looks gorgeous layered over top your dark lipsticks from reds to purples, and on it’s own for a high shine and tint of colour on a nude mouth.
Hope this helps you to get my ‘coveted’ fall lips! Hehe!
I love makeup, I truly do. But I hate the fact that because I have a mild makeup shopping problem, my whole bathroom suffers. Not to mention that the more product I have, means the more heavy my kit is when schlepping around town servicing clients. One of the items I love the most in my kit, I tend to often times leave at home. In a box.
It’s ‘pigment pots’. MAC has pigments, Gosh has Gosh pots, Lise Watier has Folies, NYX has pearl powders. They’re all loose pigment eye shadows that come in individual pots or containers. They apply with a sheer pop of highly pigmented colour when dry or give a big burst of concentrated colour when wet or if primed properly. I love using these but I just can’t justify lugging them around. I usually bring my 2 most used colours with me, my close-to nudes, and leave all the rest on my makeup table at home. It’s so sad.
So I finally decided to press my pigments. I had tried this a couple years back but didn’t really like the result. I found my pigment was just too crumbly which led to wasted product & lots of fall-out. So I heard a voice in my head that said to use a lower percentage alcohol & see what happened. And very good things happened.
I’ll start off with what you need:
1: A tool. I used my pro stainless steel double ended spatula. You could use a plastic spatula, teaspoon, cocktail fork, etc or a combination of all of those. You need something to scoop up/out the pigment and mix it.
2: Empty pans. Empty metal pans… I used some old blush ones that I stuck magnetic stickers to the bottom of (to use with my Z palettes), some old square L’oreal eyeshadow pots, some broken 120 palettes pans, and some Yaby empties. It doesn’t matter where they’re from or if you’re recycling old pans or not, just be sure to properly cleanse them and disinfect with alcohol prior to re-use.
3: Rubbing alcohol. I suggest 50%. I had used the 99% pro type rubbing alcohol and it evaporated too quickly which is what I think led the product to it’s crumbly state. The 50% will evaporate more slowly and although it takes longer to set, it will allow the product to set better and form better in the pan.
4: Pigments. Some brands may have difficulty in pressing. I used Makeup Forever, Lise Watier, Gosh, NYX and a cheaper brand called Lanmei that I never heard of until one of my suppliers sent me a ton of them along with an eyelash shipment. All of the above worked really well.
5: baby wipes for clean up of your space, and you (I was a hot mess afterwards) and paper towels should be placed all over your work space.
To Press Your Pigments:
1: Start by filling your empty pan with pigment. A scoop of pigment and a drop of alcohol at a time until the pan is full, and you have a thick paste-like consistency.
2: Mix mix mix.
3: Tap tap tap.
4: Wait until dry.
5: You might choose to press them (literally) with a penny/quarter/dime depending on the size of your pan. I chose to press a few, but not the larger ones. In pressing, you can wrap a tissue around your money and press it flatly into the pan of pigment. You can also choose to wrap a patterned cloth around your coin and press in a fancy schmancy design. I skipped all that. After 3 hours of mixing pigments, I was not feeling fancy or schmancy.
6: Enjoy the fruit of your labour.
I took some photos to show what I managed to do.
I MAJORLY downsized my pots of pigments into several flat pans:
Lastly, I swatched my Lise Watier Folie D’Or from the pot and from the pressed pigment pan after it was dry to test for any colour change at all and I could see none. The only thing it seemed that happened was the colour from the pressed pan seemed more pigmented and would require a light handed application if I wanted it to appear very sheer.
All in all, I am very happy I finally pressed my pigment pots! Now I can carry around 21 pots of colour in just 1 Z-Palette, and actually, there’s room for a few more pans… hmmm….